Difference between revisions of "CiM"
From Fritipedia
Jump to navigationJump to search| Line 86: | Line 86: | ||
|C0448 | |C0448 | ||
|dirty martini | |dirty martini | ||
| − | | | + | |perfectly complimented by [[Reichenbach]] antique clear |
|opaque pale green | |opaque pale green | ||
| − | |lace reaction with nero intenso | + | |lace reaction with nero intenso - fumed by silver glass frit |
|- | |- | ||
|C0449 | |C0449 | ||
|kryptonite | |kryptonite | ||
| − | |striking | + | |striking - does not work well in slightly reducing flame of a HH |
|semi opaque light blue | |semi opaque light blue | ||
| − | |does not react with silver glass | + | |does not react strongly with silver glass |
|- | |- | ||
|C0505 | |C0505 | ||
| Line 170: | Line 170: | ||
|C0645 | |C0645 | ||
|heffalump | |heffalump | ||
| − | | | + | |colour appears to "shift" in different lighting conditions |
|opaque pale lilac | |opaque pale lilac | ||
|brown reaction with fine silver | |brown reaction with fine silver | ||
| Line 176: | Line 176: | ||
|C0652 | |C0652 | ||
|count von count | |count von count | ||
| − | | | + | |colour appears to "shift" in different lighting conditions |
|transparent light purple | |transparent light purple | ||
| | | | ||
| Line 182: | Line 182: | ||
|C0653 | |C0653 | ||
|larkspur | |larkspur | ||
| − | | | + | |colour appears to "shift" in different lighting conditions |
|transparent pale purple | |transparent pale purple | ||
| − | | | + | |Does not lace with nero intenso |
|- | |- | ||
|C0654 | |C0654 | ||
|grape ape | |grape ape | ||
| − | | | + | |works well in slightly reducing flame of a HH |
|opaque medium purple | |opaque medium purple | ||
|does not react with silver glass | |does not react with silver glass | ||
| Line 194: | Line 194: | ||
|C0655 | |C0655 | ||
|eggplant | |eggplant | ||
| − | |spreading colour | + | |spreading colour - works well in slightly reducing flame of a HH |
|opaque dark purple | |opaque dark purple | ||
|reactive | |reactive | ||
| Line 202: | Line 202: | ||
| | | | ||
|semi translucent light purple | |semi translucent light purple | ||
| − | | | + | |reacts with ivory - not fumed by gold leaf - can "swallow" stringer - reacts with grape ape |
|- | |- | ||
|C0660 | |C0660 | ||
| Line 244: | Line 244: | ||
| | | | ||
|opaque light brown | |opaque light brown | ||
| − | | | + | |no lacing with nero intenso - looks great with raku |
|- | |- | ||
|C0742 | |C0742 | ||
|sepia | |sepia | ||
| − | | | + | |colour appears to "shift" in different lighting conditions |
|transparent pale pink - looks good etched | |transparent pale pink - looks good etched | ||
| | | | ||
| Line 266: | Line 266: | ||
|C0820 | |C0820 | ||
|hades | |hades | ||
| − | | | + | |dots crisp melted down over [[Effetre]] white - dots bleed into CiM peace |
|opaque intense black | |opaque intense black | ||
| − | | | + | |reacts with ivory and opal yellow - laces as stringer over some base glasses including [[Effetre]] coral when superheated |
|- | |- | ||
|C0834 | |C0834 | ||
| Line 302: | Line 302: | ||
|C0915 | |C0915 | ||
|pink champagne | |pink champagne | ||
| − | | | + | |colour appears to "shift" in different lighting conditions |
|translucent light pink | |translucent light pink | ||
| | | | ||
| Line 320: | Line 320: | ||
|C0957 | |C0957 | ||
|desert pink | |desert pink | ||
| − | | | + | |works well in slightly reducing flame of a HH |
|opaque pale pink | |opaque pale pink | ||
| | | | ||
| Line 392: | Line 392: | ||
|511427 | |511427 | ||
|tabby gray | |tabby gray | ||
| − | |never went in to full production | + | |never went in to full production - looks great with SiS |
|silver gray | |silver gray | ||
| | | | ||
Revision as of 14:52, 20 January 2009
CIM stands for Creation Is Messy. They are suppliers of glass which hs a CoE of 104 and is compatible with Effetre, Vetrofond, Lauscha and the other 104 glasses. The messy colour pallettes are being extended regularly with new shades. They also produce a range of CoE 96 glass called Messy 96. Messy colour 104 and Messy 96 are not compatible.
Occasionally CiM produce a pull of glass that does conform exactly to their colour specifications or one that is created for a test run. These occasional odd lots of glass are labled as "Messy Uniques" and are sold exclusively by Frantz art glass and associated sellers in the U.S.A.
Creation in Messy 104 colours and stock numbers
Information on the working properties of CiM glass is a current research project by members of the Frit-Happens community in the form of a prize competition Frit-Happens CiM Competition Thread
CiM 104
| Stock Number | Colour | Properties | Other Info | Reactions |
|---|---|---|---|---|
| C0109 | bordello | semi translucent deep red | ||
| C0128 | sangre | striking colour | opaque red | |
| C0149 | lipstick | opaque red brown | ||
| C0223 | pumpkin | opaque light orange | ||
| C0229 | clockwork | opaque deep orange | ||
| C0241 | creamsicle | not a spreading colour | semi opaque orange | |
| C0346 | ghee | semi opaque light yellow | ||
| C0351 | stoneground | opaque light brown | ||
| C0402 | cedalon | does not spread | opaque turquoise | |
| C0413 | peacock green | shocky - anneal from hot | semi translucent light green | |
| C0430 | elphaba | does not spread | opaque light green | |
| C0448 | dirty martini | perfectly complimented by Reichenbach antique clear | opaque pale green | lace reaction with nero intenso - fumed by silver glass frit |
| C0449 | kryptonite | striking - does not work well in slightly reducing flame of a HH | semi opaque light blue | does not react strongly with silver glass |
| C0505 | french blue | opaque bright blue | ||
| C0508 | leaky pen | work high in flame as may pit | semi translucent dark blue | spreading colour |
| C0512 | halong bay | shocky - anneal from hot | semi translucent light blue | |
| C0519 | glacier | opaque light blue | ||
| C0531 | lapis | opaque purple blue | ||
| C0543 | sapphire | transparent medium blue | ||
| C0547 | electric avenue | opaque medium blue | brown reaction with fine silver | |
| C0550 | chalcedony | opaque light blue | ||
| C0562 | ming | opaque deep blue | ||
| C0563 | pulsar | transparent medium blue | ||
| C0618 | simply berry | semi opaque light purple | ||
| C0632 | thai orchid | opaque violet | does not react with silver glass or SIS - spreads when superheated over a softer opaque base | |
| C0645 | heffalump | colour appears to "shift" in different lighting conditions | opaque pale lilac | brown reaction with fine silver |
| C0652 | count von count | colour appears to "shift" in different lighting conditions | transparent light purple | |
| C0653 | larkspur | colour appears to "shift" in different lighting conditions | transparent pale purple | Does not lace with nero intenso |
| C0654 | grape ape | works well in slightly reducing flame of a HH | opaque medium purple | does not react with silver glass |
| C0655 | eggplant | spreading colour - works well in slightly reducing flame of a HH | opaque dark purple | reactive |
| C0658 | plum | semi translucent light purple | reacts with ivory - not fumed by gold leaf - can "swallow" stringer - reacts with grape ape | |
| C0660 | crocus | semi opaque light purple | ||
| C0661 | evil queen | opaque deep purple | ||
| C0667 | poi | opaque dark lilac | ||
| C0701 | ginger | opaque light pink | ||
| C0703 | butter pecan | opaque pale pink | ||
| C0717 | khaki | opaque gray green | ||
| C0722 | canyon de chelly | opaque light brown | no lacing with nero intenso - looks great with raku | |
| C0742 | sepia | colour appears to "shift" in different lighting conditions | transparent pale pink - looks good etched | |
| C0765 | chai | opaque pale pink | ||
| C0806 | cirrus | striking colour - shocky - anneal from hot - does not etch | semi opaque white | reduces to yellow/brown |
| C0820 | hades | dots crisp melted down over Effetre white - dots bleed into CiM peace | opaque intense black | reacts with ivory and opal yellow - laces as stringer over some base glasses including Effetre coral when superheated |
| C0834 | clear | transparent clear | ||
| C0835 | peace | shimmering opaque white | ||
| C0859 | marshmallow | semi opaque white | ||
| C0904 | gelly's sty | annealing temp 510 degrees C | opaque light pink | |
| C0907 | rose quartz | semi opaque light pink | brown reaction with fine silver | |
| C0915 | pink champagne | colour appears to "shift" in different lighting conditions | translucent light pink | |
| C0921 | blush | translucent pale pink | ||
| C0926 | cranberry | spreading colour | semi opaque rich dark pink | very reactive |
| C0957 | desert pink | works well in slightly reducing flame of a HH | opaque pale pink |
CiM Uniques
| Stock Number | Colour | Properties | Other Info | Reactions |
|---|---|---|---|---|
| 511128-1 | sangre | darker than regular sangre | ||
| 511140-1 | lipstick | lighter thank regular lipstick | ||
| 511140-3 | lipstick | lighter than 5111140-1 | ||
| 511223-3 | Pumpkin | lighter than regular pumpkin | ||
| 511223-3 | pumpkin | translucent burnt orange | ||
| 511333 | sunshine | never went in to full production | soft buttery yellow | |
| 511351-1 | stone ground | lighter than regular | ||
| 511413-2 | peacock green | slightly blueish compared to regular | ||
| 511413-3 | peacock green | more saturated than 511413-2 | ||
| 511427 | tabby gray | never went in to full production - looks great with SiS | silver gray | |
| 511430-1 | elphaba | very similar to regular | ||
| 511430-2 | elphaba | petroleum green | ||
| 511430-3 | elphaba | darker than regular | ||
| 511449-1 | kryptonite | turns opaque more quickly than regular | ||
| 511531-1 | lapis | more purple than blue | ||
| 511618-1 | simply berry | lighter than regular | ||
| 511618-2 | simply berry | darker than regular | ||
| 511644 | dusk | never went in to full production - colour shifts under different lighting | blue gray shade | |
| 511656 | blackcurrant | almost black when used on its own | very dark purple | |
| 511701-1 | ginger | lighter than regular | ||
| 511703-3 | butter pecan | darker than regular | ||
| 511703-3 | butter pecan | more yellow than regular | ||
| 511742-1 | sepia | More amber than regular | ||
| 511806-1 | cirrus | striking colour | strikes to opaque more easily than regular | |
| 511806-2 | cirrus | striking colour | slight blue tint | |
| 511864 | charcoal | never went in to full production - looks black when used on its own | transparent dark gray | |
| 511904-1 | gelly's sty | less saturated than regular | ||
| 511938 | gelly's sty and peace | cored cane, heart shaped peace encased with gelly's sty | streaky pink when worked | |
| 511938 | gelly's sty and cranberry pink | cored cane, heart shaped cranberry encased with gelly's sty | streaky pink and red when worked |
Two batch annealing schedules for CiM
525 (Celsius) annealing schedule for batch annealing
Ramp up 0-150 degrees 1 hour
150-315 degrees 1 hour
315-425 degrees 1 hour
425-525 degrees 1 hour
Held at 525 for 30 minutes
Ramp down 525-425 degrees 2 hours
425-370 degrees 1 hour
370-315 degrees 1 hour
315-205 degrees 1 hour
Turn off kiln and remove beads the next morning.
555 (Celsius) annealing schedule for batch annealing
Ramp up 0-150 degrees 1 hour
150-315 degrees 1 hour
315-425 degrees 45 minutes
425-510 degrees 45 minutes
510-555 degrees 45 minutes
Held at 555 for 30 minutes
Ramp down 555-510 degrees 1 hour
510-455 degrees 1 hour
455-400 degrees 1 hour
400-290 degrees 1 hour
290-230 degrees 1 hour
Turn off kiln and remove beads in the morning.
Information researched by CiM tester Lorraine Chandler
Further information
Visit their website for more information: http://www.creationismessy.com/
