Difference between revisions of "CiM"
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CIM stands for Creation Is Messy. They are suppliers of [[glass]] which hs a [[CoE]] of 104 and is compatible with [[Effetre]], [[Vetrofond]], [[Lauscha]] and the other 104 glasses. The messy colour pallettes are being extended regularly with new shades. They also produce a range of [[CoE]] 96 glass called Messy 96. Messy colour 104 and Messy 96 are not [[compatible]]. | CIM stands for Creation Is Messy. They are suppliers of [[glass]] which hs a [[CoE]] of 104 and is compatible with [[Effetre]], [[Vetrofond]], [[Lauscha]] and the other 104 glasses. The messy colour pallettes are being extended regularly with new shades. They also produce a range of [[CoE]] 96 glass called Messy 96. Messy colour 104 and Messy 96 are not [[compatible]]. | ||
| − | Occasionally CiM produce a pull of glass that does conform exactly to their colour specifications or one that is created for a test run. These occasional odd lots of glass are labled as "Messy Uniques" | + | Occasionally CiM produce a pull of glass that does not conform exactly to their colour specifications or one that is created for a test run. These occasional odd lots of glass are labled as "Messy Uniques." |
==Creation in Messy 104 colours and stock numbers== | ==Creation in Messy 104 colours and stock numbers== | ||
Revision as of 18:51, 27 November 2009
CIM stands for Creation Is Messy. They are suppliers of glass which hs a CoE of 104 and is compatible with Effetre, Vetrofond, Lauscha and the other 104 glasses. The messy colour pallettes are being extended regularly with new shades. They also produce a range of CoE 96 glass called Messy 96. Messy colour 104 and Messy 96 are not compatible.
Occasionally CiM produce a pull of glass that does not conform exactly to their colour specifications or one that is created for a test run. These occasional odd lots of glass are labled as "Messy Uniques."
Creation in Messy 104 colours and stock numbers
Information on the working properties of CiM glass is a research project by members of the Frit-Happens community in the form of a prize competition Frit-Happens CiM Competition Thread The information below has been collated by Jolene Wolfe kitzbitz art glass and is intended as a guide only.
CiM 104
| Stock Number | Colour | Properties | Other Info | Reactions |
|---|---|---|---|---|
| C0109 | bordello | intense translucent deep red | ||
| C0128 | sangre | striking colour | opaque red | no brown reaction with fine silver |
| C0149 | lipstick | opaque red brown (brick) | ||
| C0223 | pumpkin | opaque light orange | ||
| C0229 | clockwork | intense striking colour - stiff glass | deep orange | becomes more opaque in a reduction flame |
| C0241 | creamsicle | not a spreading colour | opaque orange | |
| C0277 | phoenix | Orange | ||
| C0346 | ghee | strikes from light yellow to shades of caramel | semi opaque light yellow | |
| C0351 | stoneground | works well in slightly reducing flame of a HH - reduction colour is orangy | opaque light brown | reacts with fine silver - reacts with ivory |
| C0402 | celadon | not a spreading colour | opaque turquoise | reacts with ivory |
| C0413 | peacock green | shocky - anneal from hot - works well in slightly reducing flame of a HH | translucent light green | |
| C0430 | elphaba | not a spreading colour - reduces to brown tones - Can appear striated | opaque light green | |
| C0448 | dirty martini | perfectly complimented by Reichenbach antique clear | opaque pale green | lace reaction with nero intenso - fumed easily by by silver glass and SiS and reacts butifully with fine silver leaf |
| C0449 | kryptonite | striking - does not work well in slightly reducing flame of a HH | semi opaque light green | does not react strongly with silver glass |
| C0475 | commando | opaque green | ||
| C0476 | olive | opaque green | ||
| C0478 | oz | trans green | ||
| C0479 | soylent | opaque green | ||
| C0481 | splitpea | opaque green | ||
| C0482 | mojito | light trans green | ||
| C0483 | slytherin | dark trans green | ||
| C0505 | french blue | Can appear striated | opaque bright blue | etches beautifully - reacts with ivory |
| C0508 | leaky pen | Intense colour - work high in flame as may pit - works well in slightly reducing flame of a HH - spreading colour - takes on a metalic hue when reduced - stiff glass - takes longer to etch | semi translucent dark blue | looks black over rubiono oro |
| C0512 | halong bay | shocky - anneal from hot - works well in slightly reducing flame of a HH | opal light blue | |
| C0519 | glacier | opaque light blue | ||
| C0531 | lapis | works well in slightly reducing flame of a HH - reduces to a metalic sheen | dark opaque purple blue | |
| C0543 | sapphire | transparent medium blue | ||
| C0547 | electric avenue | works well in slightly reducing flame of a HH | opal medium blue | brown reaction with fine silver - when heavily reduced goes deep terracotta - reacts with ivory |
| C0550 | chalcedony | opal light blue | ||
| C0562 | ming | opal deep blue | ||
| C0563 | pulsar | may pit if heated too quickly | transparent medium blue | reacts with ivory |
| C0568 | freman | opaque sky blue | reacts with silver - reacts with ivory | |
| C0569 | smurfy | opaque turquoise | reacts with ivory | |
| C0570 | grumpy bear | some striation | opaque periwinkle | |
| C0571 | cornflower | some striation | opaque periwinkle blue | |
| C0618 | simply berry | semi opaque light purple | superheat with nero intenso stringer for "lace" effect - does not react as a base for silver glass | |
| C0632 | thai orchid | intesne colour - some striation - works well in slightly reducing flame of a HH | opaque violet | does not react with silver glass or SIS - spreads when superheated over a softer opaque base |
| C0645 | heffalump | colour appears to "shift" in different lighting conditions - looks lovely coated with 00 lead crystal frit (sugared) | opaque light lavender | brown reaction with fine silver |
| C0652 | count von count | colour appears to "shift" in different lighting conditions | transparent light purple/blue | |
| C0653 | larkspur | colour appears to "shift" in different lighting conditions | transparent pale purple/blue | Does not lace with nero intenso |
| C0654 | grape ape | works well in slightly reducing flame of a HH - some striation | opaque medium purple | does not react with silver glass - reacts with Kugler 104 green - can "swallow" stringer - reacts with plum - reacts with copper colours |
| C0655 | eggplant | saturated and intense - spreading colour - works well in slightly reducing flame of a HH - striking colour | opaque dark purple | |
| C0658 | plum | works well in slightly reducing flame of a HH - Looks beautiful encased in clear - spreading colour - striking colour | opal light purple | reacts with ivory - not fumed by gold leaf - can "swallow" stringer - reacts with grape ape - reacts with copper colours |
| C0660 | crocus | Looks beautiful encased in clear | semi opaque light purple | |
| C0661 | evil queen | opaque deep purple | ||
| C0667 | poi | some striation | opaque dark lilac gray | |
| C0701 | ginger | Shocky | opaque light neutral pink | less reactive than ivory |
| C0703 | butter pecan | opaque pale pink | less reactive than ivory - reacts with fine silver foil - reacts with celadon | |
| C0717 | khaki | works well in slightly reducing flame of a HH | opaque neutral gray | reacts with fine silver |
| C0722 | canyon de chelly | works well in slightly reducing flame of a HH - heavy striation - striking colour | opaque silver light brown | no lacing with nero intenso - looks great with raku |
| C0742 | sepia | colour appears to "shift" in different lighting conditions - work cool | transparent pale pink/amber | Does not lace with nero intenso - no fuming with silver glass - very effective with SiS - look nice etched |
| C0780 | maple | trans mid brown | ||
| C0806 | cirrus | striking colour - shocky - anneal from hot - does not etch - works well in slightly reducing flame of a HH | semi opaque white | reduces to yellow/brown - Dots of leaky Pen and Reichenbach gold violet "pool" when melted in to cirrus - becomes more opaque the longer you work it in the flame - can be fumed by silver |
| C0820 | hades | dots crisp melted down over Effetre white - dots bleed into CiM peace - works well in slightly reducing flame of a HH | opaque intense black - even as stringer | reacts with ivory and opal yellow - laces as stringer over some base glasses including Effetre coral when superheated - fumes to irridescent green/blue with fine silver - reacts with palladium. |
| C0872 | tuxedo | Black - grey based | ||
| C0834 | clear | work cool | transparent clear | |
| C0835 | peace | saturated colour | shimmering opaque white | |
| C0859 | marshmallow | Looks beautiful encased in clear | semi opaque white | |
| C0874 | adamantium | |||
| C0885 | gunmetal | |||
| C0904 | gelly's sty | likes to be worked hot | opaque light pink | |
| C0907 | rose quartz | likes to be worked hot (may devit in a cooler flame ) - looks lovely coated with 00 lead crystal frit (sugared)- striking colour | semi opaque light pink | brown reaction with fine silver |
| C0915 | pink champagne | colour appears to "shift" in different lighting conditions | translucent light pink | brownish tint when used to encase white |
| C0921 | blush | translucent pale pink | ||
| C0926 | cranberry pink | spreading colour - makes beautiful vivid pink when encased over white/dark fuchsia over ivory - burns less easily than Effetre Rubino Oro | semi opaque rich dark gold pink - available in two distinct shades (511926-1 light & 511926-2 dark) | very reactive (dirty martini, lapis) |
| C0957 | desert pink | works well in slightly reducing flame of a HH | opaque pale pink | Fumed easily by silver glass |
CiM Uniques
| Stock Number | Colour | Properties | Other Info | Reactions |
|---|---|---|---|---|
| 511128-1 | sangre | darker than regular sangre | ||
| 511140-1 | lipstick | lighter thank regular lipstick | ||
| 511140-3 | lipstick | lighter than 5111140-1 | ||
| 511223-3 | Pumpkin | not a spreading colour | lighter than regular pumpkin | |
| 511223-3 | pumpkin | translucent burnt orange | ||
| 511333 | sunshine | never went in to full production | soft buttery yellow | |
| 511351-1 | stone ground | lighter than regular | ||
| 511413-2 | peacock green | slightly blueish compared to regular | ||
| 511413-3 | peacock green | more saturated than 511413-2 | ||
| 511427 | tabby gray | never went in to full production - looks great with SiS | silver gray | |
| 511430-1 | elphaba | very similar to regular | ||
| 511430-2 | elphaba | petroleum green | ||
| 511430-3 | elphaba | darker than regular | ||
| 511449-1 | kryptonite | turns opaque more quickly than regular | ||
| 511531-1 | lapis | more purple than blue | ||
| 511618-1 | simply berry | lighter than regular | ||
| 511618-2 | simply berry | darker than regular | ||
| 511644 | dusk | never went in to full production - colour shifts under different lighting | blue gray shade | looks a more neutral gray when used to encase white |
| 511656 | blackcurrant | almost black when used on its own | very dark purple | |
| 511701-1 | ginger | lighter than regular | ||
| 511703-3 | butter pecan | darker than regular | ||
| 511703-3 | butter pecan | more yellow than regular | ||
| 511742-1 | sepia | More amber than regular | ||
| C0765 | chai | opaque pale pink/brown | ||
| C0773 | Tamarind | |||
| 511806-1 | cirrus | striking colour | strikes to opaque more easily than regular | |
| 511806-2 | cirrus | striking colour | slight blue tint | |
| 511864 | charcoal | never went in to full production - looks black when used on its own | transparent dark gray | |
| 511904-1 | gelly's sty | less saturated than regular | ||
| 511938 | gelly's sty and peace | cored cane, heart shaped peace encased with gelly's sty | streaky pink when worked | |
| 511938 | gelly's sty and cranberry pink | cored cane, heart shaped cranberry encased with gelly's sty | streaky pink and red when worked |
Two batch annealing schedules for CiM
525 (Celsius) annealing schedule for batch annealing
Ramp up 0-150 degrees 1 hour
150-315 degrees 1 hour
315-425 degrees 1 hour
425-525 degrees 1 hour
Held at 525 for 30 minutes
Ramp down 525-425 degrees 2 hours
425-370 degrees 1 hour
370-315 degrees 1 hour
315-205 degrees 1 hour
Turn off kiln and remove beads the next morning.
555 (Celsius) annealing schedule for batch annealing
Ramp up 0-150 degrees 1 hour
150-315 degrees 1 hour
315-425 degrees 45 minutes
425-510 degrees 45 minutes
510-555 degrees 45 minutes
Held at 555 for 30 minutes
Ramp down 555-510 degrees 1 hour
510-455 degrees 1 hour
455-400 degrees 1 hour
400-290 degrees 1 hour
290-230 degrees 1 hour
Turn off kiln and remove beads in the morning.
Information researched by CiM tester Lorraine Chandler
Further information
Visit their website for more information: http://www.creationismessy.com/
