Difference between revisions of "CiM"
Line 74: | Line 74: | ||
|C0413 | |C0413 | ||
|peacock green | |peacock green | ||
− | |shocky - anneal from hot | + | |shocky - anneal from hot - works well in slightly reducing flame of a HH |
|translucent light green | |translucent light green | ||
| | | | ||
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|C0512 | |C0512 | ||
|halong bay | |halong bay | ||
− | |shocky - anneal from hot | + | |shocky - anneal from hot - works well in slightly reducing flame of a HH |
|opal light blue | |opal light blue | ||
| | | | ||
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|C0632 | |C0632 | ||
|thai orchid | |thai orchid | ||
− | |works well in slightly reducing flame of a HH | + | |intesne colour - some striation - works well in slightly reducing flame of a HH |
|opaque violet | |opaque violet | ||
|does not react with silver glass or SIS - spreads when superheated over a softer opaque base | |does not react with silver glass or SIS - spreads when superheated over a softer opaque base | ||
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|heffalump | |heffalump | ||
|colour appears to "shift" in different lighting conditions - looks lovely coated with 00 lead crystal frit (sugared) | |colour appears to "shift" in different lighting conditions - looks lovely coated with 00 lead crystal frit (sugared) | ||
− | |opaque | + | |opaque light lavender |
|brown reaction with fine silver | |brown reaction with fine silver | ||
|- | |- | ||
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|count von count | |count von count | ||
|colour appears to "shift" in different lighting conditions | |colour appears to "shift" in different lighting conditions | ||
− | |transparent light purple | + | |transparent light purple/blue |
| | | | ||
|- | |- | ||
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|larkspur | |larkspur | ||
|colour appears to "shift" in different lighting conditions | |colour appears to "shift" in different lighting conditions | ||
− | |transparent pale purple | + | |transparent pale purple/blue |
|Does not lace with nero intenso | |Does not lace with nero intenso | ||
|- | |- | ||
|C0654 | |C0654 | ||
|grape ape | |grape ape | ||
− | |works well in slightly reducing flame of a HH | + | |works well in slightly reducing flame of a HH - some striation |
|opaque medium purple | |opaque medium purple | ||
− | |does not react with silver glass - reacts with [[Kugler 104 green]] | + | |does not react with silver glass - reacts with [[Kugler 104 green]] - can "swallow" stringer - reacts with plum - reacts with copper colours |
|- | |- | ||
|C0655 | |C0655 | ||
|eggplant | |eggplant | ||
− | |spreading colour - works well in slightly reducing flame of a HH - striking colour | + | |saturated and intense - spreading colour - works well in slightly reducing flame of a HH - striking colour |
|opaque dark purple | |opaque dark purple | ||
− | | | + | | |
|- | |- | ||
|C0658 | |C0658 | ||
|plum | |plum | ||
|works well in slightly reducing flame of a HH - Looks beautiful encased in clear - spreading colour - striking colour | |works well in slightly reducing flame of a HH - Looks beautiful encased in clear - spreading colour - striking colour | ||
− | | | + | |opal light purple |
|reacts with ivory - not fumed by gold leaf - can "swallow" stringer - reacts with grape ape - reacts with copper colours | |reacts with ivory - not fumed by gold leaf - can "swallow" stringer - reacts with grape ape - reacts with copper colours | ||
|- | |- | ||
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|C0667 | |C0667 | ||
|poi | |poi | ||
− | | | + | |some striation |
− | |opaque dark lilac | + | |opaque dark lilac gray |
| | | | ||
|- | |- | ||
Line 249: | Line 249: | ||
|ginger | |ginger | ||
|Shocky | |Shocky | ||
− | |opaque light pink | + | |opaque light neutral pink |
− | | | + | |less reactive than ivory |
|- | |- | ||
|C0703 | |C0703 | ||
Line 256: | Line 256: | ||
| | | | ||
|opaque pale pink | |opaque pale pink | ||
− | | | + | |less reactive than ivory - reacts with fine silver foil - reacts with celadon |
|- | |- | ||
|C0717 | |C0717 | ||
|khaki | |khaki | ||
|works well in slightly reducing flame of a HH | |works well in slightly reducing flame of a HH | ||
− | |opaque gray | + | |opaque neutral gray |
− | | | + | |reacts with fine silver |
|- | |- | ||
|C0722 | |C0722 | ||
|canyon de chelly | |canyon de chelly | ||
− | |works well in slightly reducing flame of a HH | + | |works well in slightly reducing flame of a HH - heavy striation - striking colour |
− | |opaque light brown | + | |opaque silver light brown |
|no lacing with nero intenso - looks great with raku | |no lacing with nero intenso - looks great with raku | ||
|- | |- | ||
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|sepia | |sepia | ||
|colour appears to "shift" in different lighting conditions - work cool | |colour appears to "shift" in different lighting conditions - work cool | ||
− | |transparent pale pink | + | |transparent pale pink/amber |
|Does not lace with nero intenso - no fuming with silver glass - very effective with SiS - look nice etched | |Does not lace with nero intenso - no fuming with silver glass - very effective with SiS - look nice etched | ||
|- | |- | ||
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|chai | |chai | ||
| | | | ||
− | |opaque pale pink | + | |opaque pale pink/brown |
| | | | ||
|- | |- | ||
|C0806 | |C0806 | ||
|cirrus | |cirrus | ||
− | |striking colour - shocky - anneal from hot - does not etch | + | |striking colour - shocky - anneal from hot - does not etch - works well in slightly reducing flame of a HH |
|semi opaque white | |semi opaque white | ||
|reduces to yellow/brown - Dots of leaky Pen and Reichenbach gold violet "pool" when melted in to cirrus - becomes more opaque the longer you work it in the flame - can be fumed by silver | |reduces to yellow/brown - Dots of leaky Pen and Reichenbach gold violet "pool" when melted in to cirrus - becomes more opaque the longer you work it in the flame - can be fumed by silver | ||
Line 291: | Line 291: | ||
|hades | |hades | ||
|dots crisp melted down over [[Effetre]] white - dots bleed into CiM peace - works well in slightly reducing flame of a HH | |dots crisp melted down over [[Effetre]] white - dots bleed into CiM peace - works well in slightly reducing flame of a HH | ||
− | |opaque intense black | + | |opaque intense black - even as stringer |
|reacts with ivory and opal yellow - laces as stringer over some base glasses including [[Effetre]] coral when superheated - fumes to irridescent green/blue by fine silver | |reacts with ivory and opal yellow - laces as stringer over some base glasses including [[Effetre]] coral when superheated - fumes to irridescent green/blue by fine silver | ||
|- | |- | ||
|C0834 | |C0834 | ||
|clear | |clear | ||
− | | | + | |work cool |
|transparent clear | |transparent clear | ||
| | | | ||
Line 302: | Line 302: | ||
|C0835 | |C0835 | ||
|peace | |peace | ||
− | | | + | |saturated colour |
− | |shimmering opaque white | + | |shimmering opaque white |
| | | | ||
|- | |- | ||
Line 310: | Line 310: | ||
|Looks beautiful encased in clear | |Looks beautiful encased in clear | ||
|semi opaque white | |semi opaque white | ||
+ | | | ||
+ | |- | ||
+ | |C0872 | ||
+ | |tuxedo | ||
+ | | | ||
+ | |black | ||
| | | | ||
|- | |- | ||
|C0904 | |C0904 | ||
|gelly's sty | |gelly's sty | ||
− | | | + | |likes to be worked hot |
|opaque light pink | |opaque light pink | ||
| | | | ||
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|C0907 | |C0907 | ||
|rose quartz | |rose quartz | ||
− | | | + | |likes to be worked hot (may devit in a cooler flame ) - looks lovely coated with 00 lead crystal frit (sugared)- striking colour |
|semi opaque light pink | |semi opaque light pink | ||
|brown reaction with fine silver | |brown reaction with fine silver | ||
Line 338: | Line 344: | ||
|C0926 | |C0926 | ||
|cranberry | |cranberry | ||
− | |spreading colour - makes beautiful vivid pink when | + | |spreading colour - makes beautiful vivid pink when encased over white/dark fuchsia over ivory |
− | |semi opaque rich dark pink | + | |semi opaque rich dark gold pink - available in two distinct shades (511926-1 light & 511926-2 dark) |
|very reactive (dirty martini, lapis) | |very reactive (dirty martini, lapis) | ||
|- | |- |
Revision as of 15:35, 5 February 2009
CIM stands for Creation Is Messy. They are suppliers of glass which hs a CoE of 104 and is compatible with Effetre, Vetrofond, Lauscha and the other 104 glasses. The messy colour pallettes are being extended regularly with new shades. They also produce a range of CoE 96 glass called Messy 96. Messy colour 104 and Messy 96 are not compatible.
Occasionally CiM produce a pull of glass that does conform exactly to their colour specifications or one that is created for a test run. These occasional odd lots of glass are labled as "Messy Uniques" and are sold exclusively by Frantz art glass and associated sellers in the U.S.A.
Creation in Messy 104 colours and stock numbers
Information on the working properties of CiM glass is a current research project by members of the Frit-Happens community in the form of a prize competition Frit-Happens CiM Competition Thread The information below has been collated by kitzbitz art glass and is intended as a guide only.
CiM 104
Stock Number | Colour | Properties | Other Info | Reactions |
---|---|---|---|---|
C0109 | bordello | intense translucent deep red | ||
C0128 | sangre | striking colour | opaque red | no brown reaction with fine silver |
C0149 | lipstick | opaque red brown (brick) | ||
C0223 | pumpkin | opaque light orange | ||
C0229 | clockwork | intense striking colour - stiff glass | deep orange | becomes more opaque in a reduction flame |
C0241 | creamsicle | not a spreading colour | opaque orange | |
C0346 | ghee | strikes from light yellow to shades of caramel | semi opaque light yellow | |
C0351 | stoneground | works well in slightly reducing flame of a HH - reduction colour is orangy | opaque light brown | reacts with fine silver |
C0402 | celadon | not a spreading colour | opaque turquoise | reacts with ivory |
C0413 | peacock green | shocky - anneal from hot - works well in slightly reducing flame of a HH | translucent light green | |
C0430 | elphaba | not a spreading colour - reduces to brown tones | opaque light green | |
C0448 | dirty martini | perfectly complimented by Reichenbach antique clear | opaque pale green | lace reaction with nero intenso - fumed easily by by silver glass and SiS and reacts butifully with fine silver leaf |
C0449 | kryptonite | striking - does not work well in slightly reducing flame of a HH | semi opaque light green | does not react strongly with silver glass |
C0505 | french blue | Can appear striated | opaque bright blue | etches beautifully - reacts with ivory |
C0508 | leaky pen | Intense colour - work high in flame as may pit - works well in slightly reducing flame of a HH - spreading colour - takes on a metalic hue when reduced - stiff glass - takes longer to etch | semi translucent dark blue | looks black over rubiono oro |
C0512 | halong bay | shocky - anneal from hot - works well in slightly reducing flame of a HH | opal light blue | |
C0519 | glacier | opaque light blue | ||
C0531 | lapis | works well in slightly reducing flame of a HH - reduces to a metalic sheen | dark opaque purple blue | |
C0543 | sapphire | transparent medium blue | ||
C0547 | electric avenue | works well in slightly reducing flame of a HH | opal medium blue | brown reaction with fine silver - when heavily reduced goes deep terracotta - reacts with ivory |
C0550 | chalcedony | opal light blue | ||
C0562 | ming | opal deep blue | ||
C0563 | pulsar | may pit if heated too quickly | transparent medium blue | reacts with ivory |
C0568 | freman | opaque sky blue | reacts with silver - reacts with ivory | |
C0569 | smurfy | opaque turquoise | reacts with ivory | |
C0570 | grumpy bear | some striation | opaque periwinkle | |
C0571 | cornflower | some striation | opaque periwinkle blue | |
C0618 | simply berry | semi opaque light purple | superheat with nero intenso stringer for "lace" effect - does not react with silver or palladium | |
C0632 | thai orchid | intesne colour - some striation - works well in slightly reducing flame of a HH | opaque violet | does not react with silver glass or SIS - spreads when superheated over a softer opaque base |
C0645 | heffalump | colour appears to "shift" in different lighting conditions - looks lovely coated with 00 lead crystal frit (sugared) | opaque light lavender | brown reaction with fine silver |
C0652 | count von count | colour appears to "shift" in different lighting conditions | transparent light purple/blue | |
C0653 | larkspur | colour appears to "shift" in different lighting conditions | transparent pale purple/blue | Does not lace with nero intenso |
C0654 | grape ape | works well in slightly reducing flame of a HH - some striation | opaque medium purple | does not react with silver glass - reacts with Kugler 104 green - can "swallow" stringer - reacts with plum - reacts with copper colours |
C0655 | eggplant | saturated and intense - spreading colour - works well in slightly reducing flame of a HH - striking colour | opaque dark purple | |
C0658 | plum | works well in slightly reducing flame of a HH - Looks beautiful encased in clear - spreading colour - striking colour | opal light purple | reacts with ivory - not fumed by gold leaf - can "swallow" stringer - reacts with grape ape - reacts with copper colours |
C0660 | crocus | Looks beautiful encased in clear | semi opaque light purple | |
C0661 | evil queen | opaque deep purple | ||
C0667 | poi | some striation | opaque dark lilac gray | |
C0701 | ginger | Shocky | opaque light neutral pink | less reactive than ivory |
C0703 | butter pecan | opaque pale pink | less reactive than ivory - reacts with fine silver foil - reacts with celadon | |
C0717 | khaki | works well in slightly reducing flame of a HH | opaque neutral gray | reacts with fine silver |
C0722 | canyon de chelly | works well in slightly reducing flame of a HH - heavy striation - striking colour | opaque silver light brown | no lacing with nero intenso - looks great with raku |
C0742 | sepia | colour appears to "shift" in different lighting conditions - work cool | transparent pale pink/amber | Does not lace with nero intenso - no fuming with silver glass - very effective with SiS - look nice etched |
C0765 | chai | opaque pale pink/brown | ||
C0806 | cirrus | striking colour - shocky - anneal from hot - does not etch - works well in slightly reducing flame of a HH | semi opaque white | reduces to yellow/brown - Dots of leaky Pen and Reichenbach gold violet "pool" when melted in to cirrus - becomes more opaque the longer you work it in the flame - can be fumed by silver |
C0820 | hades | dots crisp melted down over Effetre white - dots bleed into CiM peace - works well in slightly reducing flame of a HH | opaque intense black - even as stringer | reacts with ivory and opal yellow - laces as stringer over some base glasses including Effetre coral when superheated - fumes to irridescent green/blue by fine silver |
C0834 | clear | work cool | transparent clear | |
C0835 | peace | saturated colour | shimmering opaque white | |
C0859 | marshmallow | Looks beautiful encased in clear | semi opaque white | |
C0872 | tuxedo | black | ||
C0904 | gelly's sty | likes to be worked hot | opaque light pink | |
C0907 | rose quartz | likes to be worked hot (may devit in a cooler flame ) - looks lovely coated with 00 lead crystal frit (sugared)- striking colour | semi opaque light pink | brown reaction with fine silver |
C0915 | pink champagne | colour appears to "shift" in different lighting conditions | translucent light pink | brownish tint when used to encase white |
C0921 | blush | translucent pale pink | ||
C0926 | cranberry | spreading colour - makes beautiful vivid pink when encased over white/dark fuchsia over ivory | semi opaque rich dark gold pink - available in two distinct shades (511926-1 light & 511926-2 dark) | very reactive (dirty martini, lapis) |
C0957 | desert pink | works well in slightly reducing flame of a HH | opaque pale pink | Fumed easily by silver glass |
CiM Uniques
Stock Number | Colour | Properties | Other Info | Reactions |
---|---|---|---|---|
511128-1 | sangre | darker than regular sangre | ||
511140-1 | lipstick | lighter thank regular lipstick | ||
511140-3 | lipstick | lighter than 5111140-1 | ||
511223-3 | Pumpkin | not a spreading colour | lighter than regular pumpkin | |
511223-3 | pumpkin | translucent burnt orange | ||
511333 | sunshine | never went in to full production | soft buttery yellow | |
511351-1 | stone ground | lighter than regular | ||
511413-2 | peacock green | slightly blueish compared to regular | ||
511413-3 | peacock green | more saturated than 511413-2 | ||
511427 | tabby gray | never went in to full production - looks great with SiS | silver gray | |
511430-1 | elphaba | very similar to regular | ||
511430-2 | elphaba | petroleum green | ||
511430-3 | elphaba | darker than regular | ||
511449-1 | kryptonite | turns opaque more quickly than regular | ||
511531-1 | lapis | more purple than blue | ||
511618-1 | simply berry | lighter than regular | ||
511618-2 | simply berry | darker than regular | ||
511644 | dusk | never went in to full production - colour shifts under different lighting | blue gray shade | looks a more neutral gray when used to encase white |
511656 | blackcurrant | almost black when used on its own | very dark purple | |
511701-1 | ginger | lighter than regular | ||
511703-3 | butter pecan | darker than regular | ||
511703-3 | butter pecan | more yellow than regular | ||
511742-1 | sepia | More amber than regular | ||
511806-1 | cirrus | striking colour | strikes to opaque more easily than regular | |
511806-2 | cirrus | striking colour | slight blue tint | |
511864 | charcoal | never went in to full production - looks black when used on its own | transparent dark gray | |
511904-1 | gelly's sty | less saturated than regular | ||
511938 | gelly's sty and peace | cored cane, heart shaped peace encased with gelly's sty | streaky pink when worked | |
511938 | gelly's sty and cranberry pink | cored cane, heart shaped cranberry encased with gelly's sty | streaky pink and red when worked |
Two batch annealing schedules for CiM
525 (Celsius) annealing schedule for batch annealing
Ramp up 0-150 degrees 1 hour 150-315 degrees 1 hour 315-425 degrees 1 hour 425-525 degrees 1 hour Held at 525 for 30 minutes Ramp down 525-425 degrees 2 hours 425-370 degrees 1 hour 370-315 degrees 1 hour 315-205 degrees 1 hour Turn off kiln and remove beads the next morning.
555 (Celsius) annealing schedule for batch annealing
Ramp up 0-150 degrees 1 hour 150-315 degrees 1 hour 315-425 degrees 45 minutes 425-510 degrees 45 minutes 510-555 degrees 45 minutes Held at 555 for 30 minutes Ramp down 555-510 degrees 1 hour 510-455 degrees 1 hour 455-400 degrees 1 hour 400-290 degrees 1 hour 290-230 degrees 1 hour Turn off kiln and remove beads in the morning.
Information researched by CiM tester Lorraine Chandler
Further information
Visit their website for more information: http://www.creationismessy.com/